Exile on Main St. (album dei Rolling Stones del 1972)

EXILE ON MAIN ST. chiude la quadrilogia che la critica considera il picco dei Rolling Stones nell’anno di grazia 1972.

Rocks off apre col suo riff in crescendo e vanta sonorità psichedeliche. Rip this joint incalza anticipando il fenomeno punk. Casinò boogie ha Richards e non Wyman al basso e le sgangherate frasi del testo sono messe insieme con lo stile cut-up. Tumbling dice, bella ma con una resa audio confusionaria, parla della passione per il gioco d’azzardo ed è Mick Taylor a cimentarsi al basso. Lo strepitoso country di Sweet Virginia vanta un solo di armonica di uno sfavillante Jagger. Torn and frayed spicca per la lap steel, chitarra suonata da Al Perkins. Sweet black angel è una ballata che unisce folk e caraibico. Loving cup è uno splendido inno evangelico. Happy è cantata da Richards, Bobby Keys suona le maracas, mentre Mick si limita a defilati cori. Turd on the run è un blues aggressivo. Ventilator blues mette in evidenza la chitarra in distorsione di Taylor. l just want to see his face unisce soul e gospel in una lotta tra sacro e profano. Let it loose splende dei cori di Tamiya Lynn, Shirley Goodman e Dr. John. All down the line esplode di rock’n’ roll. Shine a light gode dell’organo di Billy Preston che esalta la profondità di un testo spirituale. Soul survivor sfoggia il soul e una chitarra sferzante. Shake your hips picchia unificando indie, country, r&b, soul, rock e blues. Stop breaking down è una eccellente rivisitazione di un blues del 1937 di Robert Johnson.

Un doppio album tra i migliori di tutti i tempi nonostante qualche passaggio invadente, che però ha il merito di unificare e setacciare una varietà di generi musicali.

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