Ugo pirro

Sono passati centouno anni dalla nascita di uno tra i principali sceneggiatori della storia del cinema: Ugo Pirro (vero nome Ugo Mattone) che ha salutato il mondo nel 2008.

È soltanto uno spunto per scrivere di un gigante della settima arte: suoi i copioni di classici quali A CIASCUNO IL SUO, INDAGINE SU UN CITTADINO AL DI SOPRA DI OGNI SOSPETTO, IL GIARDINO DEI FINZI-CONTINI, LA CLASSE OPERAIA VA IN PARADISO, LA PROPRIETÀ NON È PIÙ UN FURTO, IL GIORNO DELLA CIVETTA e IL PREFETTO DI FERRO.

Questo per rendere l’idea di cosa Pirro abbia rappresentato nelle vesti di autore, in una lunga carriera in cui ha scritto per registi del calibro di Damiano Damiani, Gillo Pontecorvo, Vittorio De Sica, Carlo Lizzani ed Elio Petri, dando vita con quest’ultimo, tra la fine degli anni sessanta e l’inizio dei settanta, al filone cinematografico italiano di impegno politico conquistando in seguito per le sue sceneggiature più riconoscimenti.

Ma anche quando non sono arrivati i premi, l’artista romano si è comunque distinto, ad esempio nel 1972, allorché ottiene 2 candidature agli oscar per i copioni di INDAGINE SU UN CITTADINO AL DI SOPRA DI OGNI SOSPETTO (originale) e IL GIARDINO DEI FINZI-CONTINI (adattato) e non di meno sottolineo la sua carriera di scrittore di libri in cui, fra gli innumerevoli racconti, spicca la sua esperienza bellica durante la seconda guerra mondiale.

In definitiva Ugo Pirro è stato (è) un personaggio ma antidivo, capace di partorire dalla sua penna spaccati di vita, intensi sofferti, surreali, ironici, drammatici, senza calcare la mano e credo per questo al cinema ci si è resi conto che essi grondavano passione e sincerità, mettendo i paletti al manierismo.

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